Susan sontag on photography essay summary
Susan sontag on photography abstract
Sontag indicates that photographs can be more unforgettable than shifting images as they are precise portions of time. The debate about whether photography is an art or a tool weaves its way in and out of the various essays. Sontag explains how photography, after its industrialization, got involved quickly to the bureaucratic forms of controlling the public. Since these essays are not written in the language of trade magazines or the instructions packed with chemicals or equipment my normal photographic reading materials , it took some time to familiarize myself with her style. She continues by saying that even though the photographic knowledge can incite moral sense, it can never be political or ethical knowledge. For those of you who do not know who Susan Sontag was, she was an active author, intellectual, playwright, well-known cultural figure, and humanitarian. Overall, photos may exist only as a world of images, nothing more: shadows of reality and the truth, but more critical judgment may show otherwise.
The photograph, which is known worldwide, became a symbol of the event, and thus the subject of it did as well. She gives the example of the Farm Security Administration photography project, how the photographers took a lot of pictures of the subjects until they thought that the expressions on their face promoted their own perceptions of different concepts such as poverty and dignity.
Photography is a way to shout "Wow" and really mean it.
Sontag suggests that the central tension in all of photography is one of self-identification—is it merely a mimetic program of using a machine to manufacture representative images, or is it a high art equivalent to painting?
If photographers learn to see well and to use their tools effectively, photographs will be unique, personal expressions - images which bring joy in the making and in the sharing with others.
Alienating us from direct experience, the photo provides a more intense second-hand experience, an illusion of knowledge. Her philosophical background feeds into the writing; indeed her first essay is titled 'In Plato's Cave'.
Sontag compares the allegory of these shadows to photos and reality, saying that photos are like shadows: they are not real.
Sparknotes susan sontag
Sources: Cohen, Marc. My photographs of India, for example, and the intense suffering I witnessed, are some of the most lovely I have. Colorful saris and strong, handsome faces do not bear the truth of the pain I tried to record. He is currently directing and photographing "70 x 7," a slide program on reconciling the ex-offender into the Christian community. It is not sight the camera satisfies so thoroughly, but the mind. She indicates that even if a photograph portrays a known and undoubted suffering, it can only have an effect on public opinion if there is a convenient context of opinion and feeling, more precisely, a convenient political perception. I'm glad I read it, and would suggest it to someone else who enjoys discussing photographers and their styles and purposes. The saddest and most horrible hold photography has on society Sontag explained is when people have a choice to save a life or to take a photo, they choose the photo Sontag Frank Fournier received negative comments from many people because of his choice of capturing that moment, portraying one of the most intimate and private moments of a person overtly. On the one hand, many consider photography as nothing but a mechanical process whereby dependable representative images may be quickly and cheaply produced. Since these essays are not written in the language of trade magazines or the instructions packed with chemicals or equipment my normal photographic reading materials , it took some time to familiarize myself with her style.
On the one hand, many consider photography as nothing but a mechanical process whereby dependable representative images may be quickly and cheaply produced. This way, it can be photographed and continue to exist in the image.
The knowledge that is obtained from photographs will always have an emotional side to it; it will always be an appearance of knowledge. Sontag explains how photography, after its industrialization, got involved quickly to the bureaucratic forms of controlling the public.
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